Welcome to the art blog of a young, gothic artist, here I post some of my best work, including painting, drawing, sketch-booking and fashion, maybe some body painting too...
Wednesday, 12 June 2013
single line skull, this took ages but turned out awesome, but i think that the jaw bone is too long
This drawing has quite a sophisticated strength of line to it. The quality of the sketching and 'working in' you have done show your audience that this is a drawing that you have grappled with and shaped as you have made progress.
If you are concerned about the accuracy of proportions in your next drawing, then consider combining the continuous line approach with what you know about the basic shapes approach to sketching. Vary the pressure you place on the pencil, working lightly as you establish where things will sit on the page, gradually getting darker as you become more confident in your composition and observations.
please upload each image as a separate post so it is clear what feedback I am giving for which piece! The Eyfells portrait drawing and Alice in Wonderland drawings I have previously given feedback on.
the horse drawing I wrote comments on under your last blog.
Looking at the painted skull (above) and the recent Eyfells piece you have completed in class this week, it is great to see how much your confidence has grown in producing art work in this style. Your use of distortion, following in Eyfells' steps, by having adapted your continuous line drawing skills has paid off wonderfully. You have also used it in order to introduce even more amazing examples of use of non-representational colour. Your growing mastery of these techniques can clearly be seen!
This drawing has quite a sophisticated strength of line to it. The quality of the sketching and 'working in' you have done show your audience that this is a drawing that you have grappled with and shaped as you have made progress.
ReplyDeleteIf you are concerned about the accuracy of proportions in your next drawing, then consider combining the continuous line approach with what you know about the basic shapes approach to sketching. Vary the pressure you place on the pencil, working lightly as you establish where things will sit on the page, gradually getting darker as you become more confident in your composition and observations.
please upload each image as a separate post so it is clear what feedback I am giving for which piece! The Eyfells portrait drawing and Alice in Wonderland drawings I have previously given feedback on.
ReplyDeletethe horse drawing I wrote comments on under your last blog.
Looking at the painted skull (above) and the recent Eyfells piece you have completed in class this week, it is great to see how much your confidence has grown in producing art work in this style. Your use of distortion, following in Eyfells' steps, by having adapted your continuous line drawing skills has paid off wonderfully. You have also used it in order to introduce even more amazing examples of use of non-representational colour. Your growing mastery of these techniques can clearly be seen!
ReplyDelete